ANWYN HOWARTH DOT INFO




PROFILE
hello@anwynhowarth.info
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Anwyn Howarth is a maker of still and moving images based between Australia and the Netherlands. Her research-led practice operates across social, historical, and geographic contexts, unpacking themes of home, displacement, and identity. Alongside her artistic work, Anwyn has contributed to the DAE Lecture Series Committee and is a founding member of the Committee Against Genocide (CAG), a DAE alumni-led initiative that responds to institutional inaction on the ongoing genocide in Palestine. She is the director of Bracket Studio, a photography and digital production house she established in 2019, and works as an assistant film producer at Studio Alexandre Humbert.
CV 




Education
 Design Academy Eindhoven
2021-2025
Bachelor of Arts

TAFE Southbank
2015
Certificate III Design Fundamentals

Homeschooled
2003-2015


ExperienceBracket Studio
2014-present
Director, photographer

Studio Alexandre Humbert 
2025-present
Filmmaker, assistant producer

DAE Lecture Series Committee 
2023-2025
Host, coordinator

Committee Against Genocide (CAG)
2025-present
Cofounder, coordinator

Studio Laurids Gallee
2024
Production assistant

Howard Smith Wharves 
2019-2025
Digital Producer

Aboriginal Art Company
2020-2021
Photographer, graphic Designer

HENDRIX & Harlow 
2017-2018
Photographer, graphic Designer

Showroom Brisbane 
2014-2017
Photographer, assistant curator


Skills
Photography
Videography
Editing
Writing
Project Management
Field Research
Art Direction
Concept Devolopment
Installation Design
Sound Design
Graphic Design
3D Modelling



Exhibitions
(Upcoming) I Wish I Had More Time
Klima Biennale Wien 2026

Essential Interest In Dutch Culture
Dutch Design Week 2025

Design Academy Eindhoven Graduation Show
Dutch Design Week 2025

Casa Tempo
Milan Design Week 2025

Fields of Industry
Z33 Gallery, Hassel, Belgium 2024


Press
‘Vestibulum Inceptos Gravida’, Ornare Review,
by Tincidunt Nisl
2024

‘Ullamcorper Faucibus (Congue) Euismod’, by Ligula Parturient, Bibendum Review Porta Libero
2023

Dictumst Tristique, Facilisis Magazine, Edition Two, Porta Libero
2021

Auctor Adipiscing Art Magazine, Porta Libero
2020

Sollicitudin Ornare Magazine,
Porta Libero
2020                  








Last Updated 24.10.31
SELECTED WORKS









1. 
In Song, In Stone - Film
2025

Fossilisation, that is the process whereby an organism dies, is buried quickly, and is anaerobically isolated long enough for compression to happen, replaced over time molecule by molecule with stone through a trickle of water, compressing and mutating in soil over the course of a million years, has long been a source of human fascination, both as an artefact of deep time, and as a metaphor.





2. 
 In Song In Stone - Publication
2025

The publication is a compilation of conversations, poems, field notes, illustrations and images from the research and project development of the film. The book is handbound and encased within ‘stone’, an acrylic resin cover made with the crafts used by paleontologists for acurate replications of dinosaur trace fossils.







3. 
Moving Home
2025

In Australia, home ownership is central to national identity. But in the midst of a housing crisis the ‘Australian Dream’ is slipping out of reach. Hovering on the land, the Queenslander is a house that is built on stumps, mitigating damage from increasingly frequent floods. Its elevated construction allows it to be lifted and relocated, leaving the land available for urban development. 

Drawing parallels between the structure of the Queenslander and her own body as non-indigenous features in the Australian landscape, Anwyn Howarth set about moving a house from Queensland to the Netherlands by boat. In this way, the rhetorical question “Do we go back to Europe?” is taken literally. The relocation becomes both a literal and symbolic gesture. Once removed from its context, the Queenslander becomes estranged—a symbol of identity rendered out of place. 


4. 
Cultivars of the Digital Kind
2023

A quintessential Tropical Paradise, Tuvalu seems a world away from the AWS data centres it is set to inhabit. Nevertheless, the island nation is not so far from the digital world as it would appear, as it is in the unique position to capitalise on its much sought-after domain name — .tv. By leasing its domain to service providers who then licence to companies for use in their internet addresses, Tuvalu makes an estimated $12 million a year (almost 20% of its annual GDP) thanks to increased demand for use of .tv amid the online video streaming boom on platforms like Twitch and Vice.

The .tv economy will continue to generate revenue long after Tuvalu ceases to exist physically, however the remaining 80% of its economy relies heavily on its ancient agricultural industries, most importantly, its abundant supply of coconuts.






5. 
Joseph Beuys, Laßt Blumen sprechen
1974
5-7/8 x 4-1/4 inches
offset lithograph on paper

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6. Test Project
Emily Harvey
EARTHLY WORKS, 1988

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7. Test Project
 Wie Venedig Sehen
Lothar Baumgarten, 1984

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8. Test Project
 Exhibition invite postcard
Alfred Jensen, 1991
Pace Gallery  

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