ANWYN HOWARTH 




PROFILE

hello@anwynhowarth.info
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Anwyn Howarth is a maker of still and moving images based between Australia and the Netherlands. Her research-led practice operates across social, historical, and geographic contexts, unpacking themes of home, displacement, and identity. Alongside her artistic work, Anwyn has contributed to the DAE Lecture Series Committee and is a founding member of the Committee Against Genocide (CAG), a DAE alumni-led initiative that responds to institutional inaction on the ongoing genocide in Palestine. She is the director of Bracket Studio, a photography and digital production house she established in 2019, and works as an assistant film producer at Studio Alexandre Humbert.
CV 




Education
 Design Academy Eindhoven
2021-2025
Bachelor of Arts

TAFE Southbank
2015
Certificate III Design Fundamentals

Homeschooled
2003-2015


ExperienceBracket Studio
2014-present
Director, photographer

Studio Alexandre Humbert 
2025-present
Filmmaker, assistant producer

DAE Lecture Series Committee 
2023-2025
Host, coordinator

Committee Against Genocide (CAG)
2025-present
Cofounder, coordinator

Studio Laurids Gallee
2024
Production assistant

Bright Cityscapes
2023
Workshop of Distances
Timisoara, Romania 

Howard Smith Wharves 
2019-2025
Digital Producer

Aboriginal Art Company
2020-2021
Photographer, graphic designer

HENDRIX & Harlow 
2017-2018
Photographer, graphic designer

Showroom Brisbane 
2014-2017
Photographer, assistant curator


Skills
Photography
Videography
Editing
Writing
Project Management
Field Research
Art Direction
Concept Devolopment
Installation Design
Sound Design
Graphic Design
3D Modelling



Exhibitions
(Upcoming) I Wish I Had More Time
Klima Biennale Wien 2026

Essential Interest In Dutch Culture
Dutch Design Week 2025

Design Academy Eindhoven Graduation Show
Dutch Design Week 2025

Casa Tempo
Milan Design Week 2025

Fields of Industry
Z33 Gallery, Hassel, Belgium 2024








Last Updated 24.10.31
SELECTED WORKS









1. 
In Song, In Stone - Film
2025

Fossilisation, that is the process whereby an organism dies, is buried quickly, and is anaerobically isolated long enough for compression to happen, replaced over time molecule by molecule with stone through a trickle of water, compressing and mutating in soil over the course of a million years, has long been a source of human fascination, both as an artefact of deep time, and as a metaphor.




2. 
 In Song In Stone - Publication
2025

The publication is a compilation of conversations, poems, field notes, illustrations and images from the research and project development of the film. The book is handbound and encased within ‘stone’, an acrylic resin cover made with the crafts used by paleontologists for acurate replications of dinosaur trace fossils.



3. Moving Home
2025

Last night I had a dream that I was back home. 
The floor had been pulled out from under me so that when I looked over the edge of the bed, I could see right down to the ground under the house. The thin layer of timber was gone, exposing the precarity of my, the distance between me and the land.





4. 
Cultivars of the Digital Kind
2023

A quintessential Tropical Paradise, Tuvalu seems a world away from the AWS data centres it is set to inhabit. For the South Pacific nation, the .tv economy will continue to generate revenue long after Tuvalu ceases to exist physically, however the remaining 80% of its economy relies heavily on its ancient agricultural industries, most importantly, its abundant supply of coconuts.





5. 
The Amber Hunters
2023

Since the Stone Age, amber has been traded as a valuable commodity, opening the possibility for the first trade route between Northern and Southern Europe - The Amber Road. In the months of November and December, winter storms dislodge amber from the seabed, where it then washes up on the shore and is collected by amber hunters. To this day, cities adjacent to the Baltic Sea enjoy commercial prosperity. But a new kind of disruption to the seabed is changing how amber is collected.